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| Jubilee backstage tours are led by showgirls three days a week. |
But times change.
Where once every casino on the Strip had an elaborate showgirl production, today it is all Cirque du Soleil, Broadway musicals, Celine and Donny & Marie. When the Folies Bergere closed in 2008 after a run of 49.5 years, that left Glitter Gulch with just one last showgirl production.
Ah, but what a production it is. Jubilee!
is pure Vegas – the longest running show in town, and second longest
in the world. For 31 years,
this $50 million, over-the-top spectacle of 85 dancers wearing 1,000 different
costumes has exploded on a stage half the size of an American football
field. Literally exploded. Each show uses five pounds of explosives and
1,000 pounds of dry ice.
But no special effect can top the showgirls – the 60
beauties who wear 10,000 pounds of rhinestones, 8,000 miles of sequins, 4,000
pounds of feathers…and not much else.
One of the great ways to enjoy the show is on a backstage tour, held three days a week. Led by one
of the showgirls, the tour takes you into their dressing rooms and behind the
show’s staggering 75 different curtains and backdrops to see what it takes to
put on this swirling sea of color. |
| Laura the tour guide |
Jubilee! is performed twice a night, six days a week, 52 weeks a year. And there is only one cast with no understudies. That means each dancer must perform every show. When dancers are injured, sick or on vacation, the other cast members must fill in. Laura is a “swing” dancer, so for certain production numbers, she has to know the moves and routines of all the other hoofers so she can fill in for anyone missing. This requires her to memorize 45 different dance routines and costume changes and be able to perform any one of them at the drop of a hat.
Into the Dressing Rooms
After standing on the main stage to see the immense size of
it, the tour group descends two stories below to the cramped dressing
rooms. Here we learn that the spectacle
you see on stage is dwarfed by the excitement that goes on behind the
curtain. Laura has 11 costume changes in
the show. Each change requires that she go
up and down two flights of stairs in three inch heels, often wearing a 20 pound
costume with a headdress that can stick out three-feet on each side, all the
while avoiding all the other 85 dancers (and the 75 stage hands pulling
curtains and pushing sets). She does
1,500 stairs a night. “There’s no need for
the dancers to work out or exercise,” she says.
“We get all the exercise we need just being in the show.” |
| There are 65 dancersin the show, 40 of them are nude dancers. |
It’s hard to imagine the chaos that goes on in these cramped
quarters. Some of the headdresses are so
huge that they are held up by pulleys twenty feet in the air and lowered on to
the girl’s head just before going on stage.
The headdresses alone can weigh 25 pounds and feature hundreds of
feathers from ostrich, pheasant, and even vultures – all individually attached
to a football-like helmet designed to fit snugly on a showgirl’s head. There are no chinstraps.
It takes balance and incredible strength to hold the headdress up, move gracefully across stage, avoid hitting the other girls, and get back to the dressing room, where you have three minutes to change and do it all over again.
It takes balance and incredible strength to hold the headdress up, move gracefully across stage, avoid hitting the other girls, and get back to the dressing room, where you have three minutes to change and do it all over again.
Designed by Bob Mackie and Pete Menafee, the costumes are all different, and many of them are 30 years old. They are valued at up to $50,000 apiece.
To stand out on such a huge stage requires real
presence. Women dancers must be at least
5 feet 8 inches tall for the “short” end of the line, and 5 feet 10 inches for
the “tall” end. The 25 males dancers
have to be 6 feet tall.
The History of Nude Dancing in Las Vegas
When Las Vegas introduced showgirls in 1959, the law was
that for them to be nude, they could not move.
That led to the iconic image of showgirls just standing still. Today, that has loosened up and all of the
showgirls are dancers and athletes.
Forty of them in Jubilee! are
topless; the other covered dancers, of which Laura is one, are called
“Bluebells,” after a Miss Blue Bell, one of the early dressers. But it is the nude dancers that steal the
show, and consequently they make more money, are the featured dancers, and have
the best costumes. “When I saw the costumes, I knew I had to try them,” Laura says, so she “swings” or fills-in for the nude dancers when required. She holds up a bra that is little more than a ribbon outline of sparking diamonds, the key pieces missing. “It doesn’t look like much, but I’d feel naked without it!” she laughs.
In addition to the dressing rooms, the backstage tour visits
some of the elaborate sets that are stored below stage and whisked up by 11
elevators. The show’s set pieces include
the sinking of the Titanic, a Samson and Delilah number in which a gigantic
temple crashes to the ground, and homage to Hollywood. Two floors underground, you can see the 30-foot model of the Titanic, or the ship’s enormous boiler rooms, or the huge metal cages, where Laura, as a slave girl, dances in the Samson number. Some 100,000 pounds of sets are moved up and down to the stage in seconds – and all by hand. Whereas modern shows like Phantom of the Opera are computer and machine controlled, the “Old School” Jubilee! production is done by hand with 75 stage hands pulling ropes, shoving props, and placing explosives by hand.
Each girl must do their own makeup – and to be visible on a huge stage, the makeup is heavy. Since their own hair is not part of the show, the girls wrap their heads in a pantyhose cap so they can easily slip into headdresses and wigs. The pantyhose cap may not be the most glamorous look behind the stage, but once they get into their costumes, dance past the curtain, and shimmer into the spotlight – you are seeing some of the hardest working, most athletic, talented and beautiful dancers in the business.
If you go: Jubilee!
is a unique and wildly expensive show to produce. When it closes, the world will never see its
likes again, so see it soon. The backstage tours are available Monday,
Wednesday and Saturday at 11 a.m.; cost is $17 per person ($12 if you also
purchase a Jubilee! show ticket). www.ballyslasvegas.com,
702-967-4938.Walking and Drinking Beer in Las Vegas
Las Vegas has the most liberal drinking laws in the world. You can drink anywhere, any time. Buy a beer at a liquor store (there's more than a dozen on the strip) and you can walk around drinking from the glass bottle, and take your beer into a casino or anywhere you like. The ABC Store (direct from Hawaii) has a good selection of single beers. There are deals along the strip for $1.99 Bud Lights and other cheap beers and for frozen drinks, but to get a craft beer requires a search and will run you $7 to $8. Las Vegas is not cheap anymore. There's a craft beer booth on the second level of New York casino with 24 beers; the New York casino also has a decent but crowded Irish pub down below. |
| Venice has fountains and gondolas |
It was 108 degrees the day I was there (in early June), but it was not as frightfully hot as it would seem. There's plenty of casinos to duck into, there's usually shade, and it is a dry desert heat. There is a monorail, but it is not located on the strip, so it requires walking the lenght of the casino to find a stop, and the casinos are designed so there is no straight line through them.
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| Ceaser's Palace has cool fountains -- when it's 108 degrees. |
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| Fremont Street Experience |
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| Aria Resort & Casino |
